If you are in Italy and anywhere near Pontelandolfo (BN), put July 31st and August 1st on your calendar – immediately. Even if you are not nearby – put it in your calendar and come to Pontelandolfo. At 9:30 PM in Piazza Roma you will be astounded by an incredible theatrical spectacle. It will be worth the ride. I am a theatre kid and it takes a lot to make me gasp. This community wide production of Dramma Sacro Santa Giocandina has done that. This week, I went to a rehearsal and was impressed by the focus and passion this group of players have for the script, rehearsal process and the traditions of their village.
In Pontelandolfo for over one year, a band of community actors, designers, musicians and technicians have been focused on bringing an historic story to life. Their focus and commitment is as powerful as the faith of the play’s heroine, Giocondina. Dramma Sacro Santa Giocandina, the Sacred Drama of Santa Giocondina, has been performed in the Sannio Hills since 1872. Originally, it was produced every seven years, then every four years. It has been seven years since Covid made the four year repetition impossible. Interesting that seven years brings the play full circle to its roots.
The story, of the ultimate sacrifice, is a familiar one. Giocondina, the young daughter of a Roman Senator converts to Christianity. Even though her father and family implore Giocondina, she refuses to abandon her faith. Roman Emperor Diocletian condemns her to be beheaded. Giocondina chooses to save her soul and live on in the kingdom of heaven. Continuing a sacred and socio-community tradition, the role of Giocondina is entrusted to a young woman from Pontelandolfo.
The original script, crafted in 1872 by Ulisse Rinaldi, drew on an ancient tale of unmitigated Christian faith. In 1964, a Priest, Don Nicola D’Addona, revised the original seven act play into four acts. The play that continues to this day is a revision done by Professor Michele Rossi.
Direttore di Palcoscenico, essential the person in charge of all technical aspects, Fiorella De Michele, explained that the presentation of the sacred drama is very important for the Pontelandolfo community. Demonstrating the tradition of the production, the troupe of actors represents the play’s past and present. Many revise roles they have played in the past. Others, new to the show, become part of the future of continuing productions of Dramma Sacro Santa Giocondina.
Actor, Valerio Mancini, my handsome cousin, who has been in a number of independent films told me: “Quella di partecipare è stata una scelta non ponderata, non voluta ma dettata dall’istinto. Da buon Pontelandolfese sento come una responsabilità nei confronti del dramma. Farò di tutto per onorare il mio ruolo. In un mondo in cui regna l’incertezza, ogni piccolo gesto, ogni emozione suscitata, ogni sorriso strappato avrà conseguenze positive nel lungo periodo, in un altro luogo o su altre persone.”
Don’t worry – Valerio translated it for me: “To participate was an unconsidered choice, not wanted but dictated by instinct. As a good Pontelandolfese, I feel a responsibility towards the drama. I will do everything to honor my role. In a world where uncertainty reigns, every small gesture, every emotion aroused, every smile torn will have positive consequences in the long run, in another place or on other people.”
It does take a village to create this work of art, at the helm is Gabriele Palladino. He has been the artistic director of the spectacular a few times. I asked him to tell me about this year.
“The careful study of scenic solutions, delicate theatrical taste, the all-round interaction between the characters and the location, make this year’s drama original and innovative.”
He feels that he is creating an avant-garde theatrical experience, which paints itself with spectacular plays of light and shapes. I will tell you, that based on the rehearsal I saw, the musical mix created by Gennaro Del Nero also became a principal member of the cast. I watched Gabriele bring his arms up and down to cue the sound operator. The music is absolutely cued to the lines of the script.
Gabriele feels that the audience for this production has a more participatory and engaging role. He is an interesting director. I watched him join his actors in the rehearsal space, guiding them with words and movement. He traverses the space and becomes one with his performers. Gabrielle is a director, I wished I could have worked under.
Director Palladino said, “Two magical evenings, where the archaic lemmas of great literature, weight of the script and the glittering guise of the advancing new, will combine the past and the modern. The tradition of past centuries melded with a three thousand-year cultural proposal will manifest in a “fusion” of the drama. An intriguing, desired, sought-after, unforced “fusion”, which is the result of a long and passionate work.”
The team of Pontelandofese who may not be on stage but absolutely contribute to the event, include the sound, lights, and off-stage crew who make the magic happen. I applaude everyone involved in this production. You can applaud them too, on July 31 and August 1.
Ci vediamo July 31 and August 1. Midge
PS. Check out my books and plays at www.midgeguerrera.com
Nonna's Mulberry Tree 