Tag: Campania tourism

Opera for All

by midgeguerrera, posted in Any Day in Pontelandolfo, Stops Along the Journey - Sites Off the Tourist Track

The Sannio Hills are rich with culture. You have often heard me talk about Pontelandolfo’s folkloric dance company, Ri Ualanegli Pontelandolfo. They produce an amazing annual multi-day international folk dance festival – check out some of my older posts. What I haven’t shared with you as often, is how these hills are so “alive with the sound of music.” Occasionally, Jack and I have bumbled upon musical events – look there is a poster for a concert at the Roman Theatre. Oh, it was yesterday. Facebook and Instagram seem to be our province’s village criers. Don’t bother with the daily newspapers – go straight to the digital world. Not wanting to be called a luddite, I friended Orchestra Filarmonica di Benevento on Instagram. Now, we have no excuse not to drag our aging bodies out of comfortable chairs and immerse ourselves in top quality music. Our first adventure kicked off my seventy-fourth birthday! Happy birthday to me – I got to see –

Loved the performances and the venue.

Getting dressed up to sit in fabulous comfortable orchestra seats made me do a happy dance. AND those seats did not cost me the down payment on a Ferrari! Orchestra seats in a jewel box, acoustically perfect theater cost me – wait, wait for it – the incredibly low price of €30 with a €1.80 handling charge! (About $34.) My Arts Admin nose had me looking for who was picking up the tab. Logos on the orchestra’s website made me guess they get underwritten by Ministero Cultura (Italy), Region Campania, Città di Benevento and a few corporations. They didn’t give out programs and the ushers were probably student volunteers – so a bit was saved there. But they did spend a bunch on the production values. More about that later. Benevento’s Teatro Comunale Vittorio Emmanuele is on the grand pedestrian boulevard, Corso Garibaldi. Just strolling down the majestic street and looking at all the high end shops, cafes and museum facades, reminded me how lucky we are to spend so much time in this province. This was our first visit to this theatre. Designed by famous Neapolitan architect, Pasquale Franesconi, the performance space opened in 1862. The interior is rich with all the wedding cake artistic features one expects from that period. Recently updated and refurbished, the theatre even had a handicap bathroom seconds from our orchestra seats. (I mean there was no lock on the door, but I’m not bashful.)

A literal 14 second look at the theater.

When the orchestra, buried below the stage in a real orchestra pit, played the overture, Jack and I looked at each other and grinned. We had seen members of the orchestra dressed in formal funeral attire, carrying interesting instrument cases scurry up the street. The musicians we saw running were young and I thought maybe they might all be students at Benevento’s famous music school, Conservatorio Statale di Musica Nicola Sala di Benevento. When the orchestra was revealed, the focused faces were of all adult generations. Their musical proficiency was evident. They could stand with any symphony we have heard.

Then the curtains opened on a simple yet functional set. The performance space is limited and designer, Luca De Lorenzo, adapted well. His costumes also brought each character to life. The first scene of the Barber of Seville has always felt like a throw away to me, so we didn’t know what to expect. Sadly, we weren’t given programs and I don’t know who were heard sing on May 12th but Figaro was freaking amazing! Not only did he have the musical chops, he was a triple threat. That magical singer, actor, mover combination that rocks the stage. The other triple threat that I kept waiting to enter was Berta, Rosina’s governess/maid (she looked younger than Rosina.) The other performers carried Gioachino Rossini’s score incredibly well too.

I googled the cast list and discovered these singers have performed with opera companies throughout Europe. I am absolutely impressed. Here is the list –

MARCO ALIBRANDO,   director
SERGIO VITALE,  director
MAYA MARTINI, assistant director
LUCA DE LORENZO, sets and costumes
Created by Arte Scenica di Stefano Giaroli
LUCIANO BRANNO,  Chorus Master

Interpreters of the Opera Studio held by Rosa Feola and Sergio Vitale

FIGARO, Francesco Auriemma – Alfonso Michele Ciulla
ROSINA, Federica Foresta – Angela Schisano
THE COUNT OF ALMAVIVA, Francesco Tuppo – Eder Sandoval Guevara
DON BARTOLO, Gabriel Wernick – Hazar Mursitpinar
DON BASILIO, Carlo Feola – Nicola Ciancio
BERTA, Carmen Aurora Bocale – Enrica Musto
FIORELLO, Luca DeLorenzo

The chorus played a variety of roles in different parts of the theatre. When they marched in through the center aisle, the entire audience grinned like kids on Christmas morning. Bravi anche to the Philharmonic Orchestra of Benevento Choir I “Cortesi.”

The Orchestra Filarmonica has an outdoor summer season. The venue, built in the second century by emperor Hadrian, is the Teatro Romano di Benevento. Imagine a town’s important archaeological asset being used for performances! Can’t wait for our next musical treat in the Sannio Hills.

Ci vediamo,

Midge Guerrera

Theatre folks – if you are making your plans for next season consider my work. Grazie! Published plays can be found here –

https://midgeguerrera.com/plays

It’s All Happening at the Zoo

by midgeguerrera, posted in Stops Along the Journey - Sites Off the Tourist Track

Like a lioness roaring at her cubs, I announced in una voce forte, “hop in the car we have places to go and animals to see.”

“What,” queried Jack, “sheep in the mountain? Stop bellowing like a lion. Where do you want to go?”

“Lions and tigers and bears -oh my – to the Zoo Delle Maitine in Pesca Sannita!”

Spending a lot of time in Pontelandolfo BN, we are always looking for day trips. Since lots of folks come to visit us or are culinary tourists in our Cooking in the Kitchens of Pontelandolfo program, I think of it as research for our guests. Actually that is just an easy excuse. I love to explore. Life is short and there are lots of places to see. I have an old Visit Campania book – which I love. It is much more complete than the website and includes little towns. I looked up the Provincia di Benevento. Pesca Sannita had a fairly good write up. Hmm, I bet their administration understands PR and sent something in when they were asked. I googled the town, expecting to get the droll web-site template that Pontelandolfo and other towns use. Whoa – Pesca Sannita has a website dedicated to tourism. The blurb included a photo of a parrot and an invitation to visit Zoo Delle Maitine. That impressed me enough to get in the car and point driver Jack towards Pesca Sannita.

Besides, who knew there was a zoo? Perhaps the gnu knew, and now I’m telling you. A scant trip over the mountain to Pesco Sannita and we came upon a darling well thought out little zoo.

There was a sign saying “paid parking”. We pulled in and an older man pointed out where to park. I had a €5 bill in my hand – huge mistake – and asked him how much? He took the 5 and scampered off. I found out from the ticket taker that you just tip the person in the lot – like €1. Oops. For a well organized place, the zoo needs to get some “Parker Beware” signage up in the parking lot.

Our €6 each senior citizen tickets made up for the scammer in the parking lot.

What struck me at first was how clean the zoo was. Every animal encampment was pristine and large. For example, only two lions are in the huge lion park. It had a little lake, trees and lots of grass – very plain like. Next to the lake, the lioness was reposing in the shade. The man with the mane was posing for the cameras.

My zoo experiences are urban – Bronx Zoo, Central Park Zoo. And I remembered as a kid holding my nose against the smell – I was a wee bit obnoxious – thinking it was stinky and the animals were squished. We visited the Zoo Delle Maitine on a hot summer day and there wasn’t any odor. OK, that is a lie, it was a hot summer day and there were lots of sweaty kids. I will rephrase that – there wasn’t any overt odor from the animal habitats.

Signage near each grouping of animals talked about extinction. There were charts showing how endangered the animals were and why. I hope the signs are a catalyst for family discussions.

Most of the visitors had small children with them and some of the viewing areas had glass partial walls that permitted small faces to get up close and personal with the monkeys and other animals. One part of the zoo, that my “child” particularly liked was the fattoria, farm. They had really miniature goats and sheep. A perfect size for little people to look at and play with. It was an open area – still clean. We walked in and the farm yard animals obviously used to guests, ambled over to play. I had on a white skirt and bolted, but I’m told there were all kinds of food bearing animals.

Here is my wee companion playing in the farm yard.

Did they have every animal in the universe? No, but what they did have seemed well cared for and a joy to look at. Also, for the nonni who were bringing kids, there were lots of benches placed in shady nooks. One of the things I appreciated was that, unlike urban zoos, they didn’t gouge us at the refreshment stands. A bottle of water was the same €1 we would pay in a local bar. They even had a picnic area for folks who carried their own grub.

Jack and I spent half a day there and really enjoyed ourselves. Granted, people looked at us strangely because we didn’t have any kids with us. Occasionally, I remedied that by looking at groups of kids and saying things like Salvatore, sta attento!

Salvatore didn’t listen but this guy came over to say hi.

Next time you come to visit Provincia di Benevento, add Zoo Delle Maitine to your list!

Ci Vediamo!

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We are now signing up culinary adventurers for our May 2019 Cooking in the Kitchens of Pontelandolfo. Check out our website.