Where Has Norma Been All My Life?

Not just any Norma but Pasta alla Norma! Who knew that my favorite summer vegetable – melanzana – could be part of a pasta plate so scrumptious? Just thinking about it puts a satisfied smile on my face. Probably all of you knew about the Sicilian primo piatto. A delicate blend of eggplant, pasta, crushed tomatoes and… Finding Norma for me was an incredible accident or a woo woo moment.

My niece, Alessandra, and I were exploring Benevento. Our provincial capital is a fabulous city – particularly the historic center. Walled in by Mura Lonogobarde it is full of museums, art, shops and of course bars. Early in the day, we parked in Piazza Risorgimento, stopped for collezione at – a bar, stared down Corso Garibaldi and planned our unplanned day. Knowing we had to walk off the cappuccini and croissants, we started our exploration by walking around an interesting old looking building. Actually, it was not just old but ancient. The huge tower that attracted us was built by the Lombards in the 6th century. Two guards were outside – young and gorgeous I might add – so we figured the place housed something precious. It was the Rocca dei Rettoi e Giardini della Rocca. That translates to the fortress of the rector. The exterior garden was lush and offered an amazing vista of the city below. “Attenti” we heard. Looking over at the older gentleman who had bellowed, I wondered if we were standing too close to the edge of the overview. Whoosh – first the sound and then nooooo – the water. He had started the sprinkler system. Laughing but wet, we skidaddled over to the building. Shadowing us was one of the guards. Hmm, what wonderful stuff must be housed here. Or was he shadowing my gorgeous niece? There was an internal courtyard that is used for cultural events and features some ancient pieces of architectural sculptures. Slabs outside and inside, I’m told, were a collection from the ancient Via Traiana. The advertised museum was closed. We found il bagno, used the necessary resources and moved on.

The Torrione is 28 meters tall.

A bit above the tower was Villa Comunale. I kept looking for a big house but Villa Comunale is the name of the park that overlooks the city. One can meander on shaded paths, sit on a bench to watch the world go by or some nights listen to classical music under the stars. We found the bandstand but couldn’t figure out if people brought their own chairs, stood around or if the city set up chairs. One of the things I love about the Italians here is their ability to reuse, repurpose and create something from nothing. At the entrance to the park is this interesting piece of art. Is it a serpent, a reindeer, a crocodile, a…

This fallen tree becomes a work of art! Looks prehistoric to me.

Corso Garibaldi is a wide avenue that has been closed to traffic. It meanders down hill from Villa Comunale all the way to Piazza Cardinale Pacca and when one is walking downhill feels like it is a scant half mile long. When a woman in her third act is walking back up the hill is at least a pazzilion miles long. It is full of history and Italian designer shops. Being modern women with no purpose, we started with the history. I had never visited Santa Sofia, a small Roman Catholic Church that was built in the late eighth century. Thank the goddesses, no one tore it down to put up a McDees. In 2011, as part of a group of seven buildings inscribed as Longobards in Italy – Places of the Power 568-774 AD, it became a UNESCO World Heritage Site. Sitting on the ancient wooden benches – Alessandra gave me the “you are my pazzo zia” look because I mentioned that I actually felt my grandmom next to me. But I did! To attend festivals in Benevento, she and my aunt and uncles would walk all the way from Pontelandolfo! They camped out in fields along the way. I figure a significant place like Chiesa Santa Sofia, had to be a stop along the way. Sitting there was a powerful and our first woo woo moment.

Baptismal Font in Santa Sofia

Time to hit designer shops – not that the museums aren’t a draw, they really are. If you don’t believe me, go to the Campania Tourism Website and check it out. We enjoyed shopping with only our eyes so much that the morning raced by. Growls from our bellies made us realize it was time for lunch. Alessandra opened up the Trip Adviser app and looked for local restaurants. She found one that had 300 positive reviews and was ALLEGEDLY close by. We walked and walked and I bitched and bitched and then we found it. A takeaway place that, though they obviously have lots of friends,looked to smarmy to enter. We used our native noses and found our way back to Corso Garibaldi. Now down which tiny medieval alley will we possibly find a restaurant? WAHHHH – that was Zia Midge crying. We couldn’t find anything. Time to do aggressive searching. I went into Arcos, a wonderful museum of modern art and Egyptology. The man behind the counter was so nice.

I’m not from here, I just work here and I don’t eat here.

Ok, Ok, I did not give up. You may not eat here but must have heard of other people going somewhere to eat.

Well there is a place around the corner, directly behind the museum.

Fainting with hnger we dragged ourselves behind the museum and saw a sign that said, Trattoria Santa Sofia. We walked in to a fairly empty space and wondered what we had gotten into. The owner escorted us to a dark room with about five tables preset. The only diner was a priest. As Alessandra went to sit down – her chair moved. A magical move – enough to feel but not enough to make her fall on her butt. We looked at each other. Was it the priest? Santa Sofia? The owner walked over and recited the meals of the day. We both heard the word melanzane and still weirded by the chair said we would take whatever was made with eggplant.

Alessandra looked at me with dreamy eyes and said,” I hope it is Pasta alla Norma.”

Who is Norma? A mom of a pal?

Aunt Midge, Pasta alla Norma is in every Italian restaurant in Los Angeles.

(Obviously, she lives in LA and is a casting director in the biz.) I had never heard of it. She explained that as a vegetarian – yeah, LA – she always looks for scrumptious meatless meals. Then she described Pasta alla Norma – a heavy pasta with a light fresh tomato sauce, sautéed eggplant and onions with bits of fresh mozzarella teasing the palate. She sighed. Seriously, a big sigh for a pasta.

A lovely salad came out first and we annihilated it. The accompanying bread was wonderful too. Looking over my shoulder at the owner carrying in plates of pasta, Alessandra began to smile and clap with delight. She knew exactly what the pasta plates were – Pasta alla Norma. We ate it slowly and with great dignity. Savoring each morsel of pasta, eggplant and mozzarella.

There are lots of different recipes on line for this dish, which is a Sicilian staple. Many have ricotta cheese, others do not. Our wonderful gastronomic moment was sans ricotta cheese. We will return to Trattoria Santa Sofia located at Via Stefano Borgia, 7 in Benevento. Don’t be confused but – Trattoria Santa Sofia is right next to Chiesa del Santissimo Salvatore!

Who knew that Norma would also become my favorite chef. Norma, I don’t know who you are, where you lived or how you did this but Grazie mille.

Ci vediamo!

Midge – www.midgeguerrera.com

Annarita Mancini and I finished our Pontelandolfo Guide!
An Italian Treasure Hunt –
The Quest for the Crests of Pontelandolfo!
Una Caccia al Tesoro Italiana –
Alla Ricerca Degli Stemmi di Pontelandolfo!

Click Here for the E-book which is perfect exploring.

Opera for All

The Sannio Hills are rich with culture. You have often heard me talk about Pontelandolfo’s folkloric dance company, Ri Ualanegli Pontelandolfo. They produce an amazing annual multi-day international folk dance festival – check out some of my older posts. What I haven’t shared with you as often, is how these hills are so “alive with the sound of music.” Occasionally, Jack and I have bumbled upon musical events – look there is a poster for a concert at the Roman Theatre. Oh, it was yesterday. Facebook and Instagram seem to be our province’s village criers. Don’t bother with the daily newspapers – go straight to the digital world. Not wanting to be called a luddite, I friended Orchestra Filarmonica di Benevento on Instagram. Now, we have no excuse not to drag our aging bodies out of comfortable chairs and immerse ourselves in top quality music. Our first adventure kicked off my seventy-fourth birthday! Happy birthday to me – I got to see –

Loved the performances and the venue.

Getting dressed up to sit in fabulous comfortable orchestra seats made me do a happy dance. AND those seats did not cost me the down payment on a Ferrari! Orchestra seats in a jewel box, acoustically perfect theater cost me – wait, wait for it – the incredibly low price of €30 with a €1.80 handling charge! (About $34.) My Arts Admin nose had me looking for who was picking up the tab. Logos on the orchestra’s website made me guess they get underwritten by Ministero Cultura (Italy), Region Campania, Città di Benevento and a few corporations. They didn’t give out programs and the ushers were probably student volunteers – so a bit was saved there. But they did spend a bunch on the production values. More about that later. Benevento’s Teatro Comunale Vittorio Emmanuele is on the grand pedestrian boulevard, Corso Garibaldi. Just strolling down the majestic street and looking at all the high end shops, cafes and museum facades, reminded me how lucky we are to spend so much time in this province. This was our first visit to this theatre. Designed by famous Neapolitan architect, Pasquale Franesconi, the performance space opened in 1862. The interior is rich with all the wedding cake artistic features one expects from that period. Recently updated and refurbished, the theatre even had a handicap bathroom seconds from our orchestra seats. (I mean there was no lock on the door, but I’m not bashful.)

A literal 14 second look at the theater.

When the orchestra, buried below the stage in a real orchestra pit, played the overture, Jack and I looked at each other and grinned. We had seen members of the orchestra dressed in formal funeral attire, carrying interesting instrument cases scurry up the street. The musicians we saw running were young and I thought maybe they might all be students at Benevento’s famous music school, Conservatorio Statale di Musica Nicola Sala di Benevento. When the orchestra was revealed, the focused faces were of all adult generations. Their musical proficiency was evident. They could stand with any symphony we have heard.

Then the curtains opened on a simple yet functional set. The performance space is limited and designer, Luca De Lorenzo, adapted well. His costumes also brought each character to life. The first scene of the Barber of Seville has always felt like a throw away to me, so we didn’t know what to expect. Sadly, we weren’t given programs and I don’t know who were heard sing on May 12th but Figaro was freaking amazing! Not only did he have the musical chops, he was a triple threat. That magical singer, actor, mover combination that rocks the stage. The other triple threat that I kept waiting to enter was Berta, Rosina’s governess/maid (she looked younger than Rosina.) The other performers carried Gioachino Rossini’s score incredibly well too.

I googled the cast list and discovered these singers have performed with opera companies throughout Europe. I am absolutely impressed. Here is the list –

MARCO ALIBRANDO,   director
SERGIO VITALE,  director
MAYA MARTINI, assistant director
LUCA DE LORENZO, sets and costumes
Created by Arte Scenica di Stefano Giaroli
LUCIANO BRANNO,  Chorus Master

Interpreters of the Opera Studio held by Rosa Feola and Sergio Vitale

FIGARO, Francesco Auriemma – Alfonso Michele Ciulla
ROSINA, Federica Foresta – Angela Schisano
THE COUNT OF ALMAVIVA, Francesco Tuppo – Eder Sandoval Guevara
DON BARTOLO, Gabriel Wernick – Hazar Mursitpinar
DON BASILIO, Carlo Feola – Nicola Ciancio
BERTA, Carmen Aurora Bocale – Enrica Musto
FIORELLO, Luca DeLorenzo

The chorus played a variety of roles in different parts of the theatre. When they marched in through the center aisle, the entire audience grinned like kids on Christmas morning. Bravi anche to the Philharmonic Orchestra of Benevento Choir I “Cortesi.”

The Orchestra Filarmonica has an outdoor summer season. The venue, built in the second century by emperor Hadrian, is the Teatro Romano di Benevento. Imagine a town’s important archaeological asset being used for performances! Can’t wait for our next musical treat in the Sannio Hills.

Ci vediamo,

Midge Guerrera

Theatre folks – if you are making your plans for next season consider my work. Grazie! Published plays can be found here –

https://midgeguerrera.com/plays